Raphael in my backyard

If you’re an architect, a designer, an artist, or simply someone who appreciates beauty at its highest level, then stop what you’re doing and head straight to the Metropolitan Museum of Art. Currently on view is one of the largest works by the master Raphael ever displayed, and it’s nothing short of extraordinary.

I’ve been visiting the Met for as long as I can remember, but they’ve truly outdone themselves this time. There have been incredible exhibitions in recent years, a great Michelangelo show and a stunning Sargent exhibition, whose brushwork are second to none. But this one feels different. This one feels like nourishment for the soul.

Seeing Raphael’s work in person was almost surreal. His compositions carry a sense of elegance, harmony, and timeless truth that’s hard to describe. Honestly, much of today’s gallery scene feels like it’s missing this kind of presence. Too often, I find myself just walking past works without that same lure.

Raphael, who began his training under his father(Giovanni Santi), went on to create some of the most iconic images in art history. And When he died suddenly at just 37, it’s said that all of Rome mourned, and that the city itself turned gray.

The exhibition also includes a number of his preparatory drawings and cartoons, many surprisingly small—some as small as 4 x 6 inches, executed in red and black chalk, as well as ink. Despite their size, they carry an incredible level of precision and life. Looking at them, I couldn’t help but think: what’s the point of even trying when the bar has been set this high?

But then again, this tradition must continue..

As I was leaving, I spotted a familiar face down the hall, and it was none other than Robert Liberace, surrounded by a small crowd as he spoke about Raphael. I had to introduce myself because to me, he represents in many ways, what a modern master is.